aught music : 2001 : "i want wind to blow" by the microphones

Music from 2001 is currently being reviewed over at the Aught Music blog. Here's my seventh post for that project (my third for 2001).

Readers of this blog may have notes that it's at least in part devoted to celebrating those clusters of memories which indelibly link specific albums to specific times and places. A partial listing of my own albums that feature in such memories might include Patti Smith's Horses (the soundtrack to my first apartment in Tucson) and Tortoise's Millions Now Living Will Never Die (the soundtrack to my final apartment in Tucson). By 2001, however, I'd left that city for the crumble and overcast glory of Chicago, and one of the first albums I listened to death there was The Glow, Pt. 2 by the Microphones. Its ramshackle song structures, ultra-low-fi production, and mumbled lyrics ("The sound of cars / the smell of bars / the awful feeling of electric heat") still evoke the feeling of being in that cramped apartment, surrounded by compact discs and books, looking out the window at the wires and brick of North California Avenue, feeling wistful for relationships that had ended, and generally being a man in my late twenties in every possible way.

—Jeremy Bushnell

Listen: The Microphones >> "I Want Wind To Blow"

track of the week: "ambiguity song," by camper van beethoven

I've never really loved the use of "Indie" as a genre designator: I do use it, in my obsessively-maintained iTunes taxonomy, but its connection to the commercial dimension of the music world has always made it function a bit uncomfortably for me. The R.E.M. that produced Document (for independent label I.R.S.) sounds pretty much the same as the R.E.M. that produced Green (for major label Warner Brothers), so are some of those tracks "indie" and not others? What about the fact that I.R.S. itself was bought by EMI in 1994? And today's climate, teeming with subsidiary labels and imprints, makes it even harder to keep score, and if you were attempting to be rigorous in your use of the designator you'd drive apart bands who were making essentially the same style of music.

The option iTunes suggests, "Alternative & Punk," is another genre designator I've never loved, for reasons that don't require further explanation here. If I had my way, I'd go back to a label that seems to have fallen into disuse: "college rock," which I mainly remember from my own pre-college days, looking over the "Charts" page in issues of Rolling Stone, back in the late 80s.

That brings us to today's track, by quintessential college rock band Camper Van Beethoven: "Ambiguity Song." I'm feeling myself to be in a pretty ambiguous space lately, and so this song nicely captures my head-space some days. Unlike the concepts of "college rock" or "indie rock," the concept of ambiguity is one that does not quickly grow dated.