As you might imagine, I've accumulated a lot of CDs over the years, enough that storing them has become something of a challenge. This problem is accentuated by the fact that probably 98% of my music listening these days is on the iPod, and so the actual CDs go mostly unused: their cases serve as room decor at best and extraneous wrapping at worst.
At this point, I've run out of room for more CD racks (plus I can't get to Ikea) and so I've been forced to begin the process of packing them up into boxes and putting them into storage. Choosing which go and which stay is something of a challenge, although I'm aided by the fact that since 2001 I've created a top-ten list of albums released that year (for the curious: 2001, 2002, 2003, 2004, 2005, 2006). This provided a sort of happy solution: there's not enough room to store everything I buy, but there's definitely enough room to store a measly ten a year... plus those are the ones I most want to have at the ready / on display anyway...
But it got me to thinking about those pre-2001 years... the Nineties (and beyond). In order to properly follow through with this project, I should, in theory, need to go back and figure out a list of the Best Nineties Albums.
So I've spent some time, over the last few weeks, looking over the shelves, and trying to make some preliminary list of 100 CDs. It's a decade with a lot of good music: including (for me) canonical college-soundtrack stuff (Nirvana's Nevermind, the Beastie Boys' Check Your Head; Beck's Odelay); landmark electronic / dance albums (DJ Shadow's Endtroducing, Aphex Twin's Selected Ambient Works, Portishead's Dummy, Tricky's Maxinquaye); a really strong selection of albums from labels like Matador (Pavement; Liz Phair; Yo La Tengo; Cat Power) and, later in the decade, Thrill Jockey (Tortoise; Oval; Town and Country). Then there's the rise of the Elephant 6 Collective, who released some albums that were pretty key for me back then (Olivia Tremor Control's Dusk at Cubist Castle, Neutral Milk Hotel's In the Aeroplane Over the Sea). Today's track, "
If We Can Land A Man On The Moon, Surely I Can Win Your Heart," is from the lesser-known Elephant 6 project Beulah, from their very fine album When Your Heartstrings Break (1999). It's perhaps the best song ever written on the topic of "selling out," a topic which as of today seems, in its way, very 90s.
I'm eager to receive additional suggestions for great 90s albums: feel free to use the comments field.